The Amazing World of Gumball Review: The Silence

"You know how we can't keep up a conversa..."

"The Silence" is an interesting episode. Seeing the show get meta with its storylines shouldn't come as a complete shock to anyone at this point, but what makes this episode so different is how it funnels that into an episode with so much sincerity. It's a route that Gumball routinely bypasses in favor of wringing laughs out of its generally nihilistic and cynical perspective, and being able to see the show just doing a cute and sweet character study of Gumball and Darwin was legitimately surprising, and that's not a knock against the episode. If anything, it makes "The Silence" feel almost special, like an episode that, if not trying to become the next "The Choices," wants to break up the pace of the show and distribute some warm, fuzzy feelings.

Unfortunately, as a critic, while I felt that "The Silence" wrapped itself up perfectly, it was an episode which, in my opinion, meandered its way to the finish line as a whole. There's a point that it wants to make with its central concept–Gumball and Darwin seem to have run out of things to say to each other and feel that their friendship (brothership?) is quickly expiring–but everything about the episode leading up to its turning point feels indifferent.

The Amazing World of Gumball Review: The Buddy

"An English dictionary! This can only mean one thing! This book must belong to either someone who speaks English or someone who doesn't, and wants to learn!" 

One of the show's more underdeveloped but enduring story arcs is Anais' long quest to try to make friends. While that arc's progress, for the most part, has slowed down, with the last installment ("The Guy") pretty much just suggesting that she'll never be able to find a healthy friendship, "The Buddy," taking a cue from Season 6's other, generally winning efforts, decides to finally answer her long-awaited call for help in a pretty unexpected place.

I'm talking about Jamie. While other similar episodes have generally gotten by through introducing new, one-off characters (like Jodie in "The Parasite," or Josh in the aforementioned "The Guy"), "The Buddy" indulges in that surprising alliance with a buttload of, despite the odds, chemistry and charisma. Jamie hasn't been explored at all since "The Girlfriend," where she found an identity based entirely in abuse and incomprehension, but that just makes her use here even more interesting, especially because it never really undermines how she's already been established. She's still unaware of how the world works by all means, but she takes it with stride, and in the crime-fighting partnership that flourishes as the episode progresses, she's the brawn to Anais' brains.

The Amazing World of Gumball Review: The Drama

"Oh, it's funny 'cuz we're dead." "Darn it, he's right, it is funny for that reason."

Isn't it weird to think that, across the last 52 episodes, Gumball has barely done anything to address the fact that Darwin and Carrie are in a romantic relationship? No, like, seriously. The only times it's really been acknowledged are in brief moments where the joke can be made (like "The Deal" and "The Best"), but not in any meaningful way beyond light implication.

Because of that, there's a lot of pressure on "The Drama." More than just being an enjoyable episode, it has to face those near-insurmountable expectations, or else risk being completely ineffective and difficult to believe in its sincerity. Ultimately, it falls somewhere in between, a fun albeit long overdue episode that wants to reaffirm Darwin and Carrie's relationship more than further illustrate it.

There's nothing wrong with simply showing that their relationship is on the show's mind somewhat, but instead of trying to find any particularly incisive angles, "The Drama" examines the perception of their relationship and Gumball's increasing doubt in their well-being (which is, to be fair, incredibly true to the show considering how little anyone has seen of it). That pretty much enables Darwin and Carrie to be at the center of the episode, but they never motivate it in their antics; rather, they present material for Gumball to riff concernedly off of. Because of that, the episode doesn't really go anywhere until Gumball decides he's had enough, even though the events of "The Drama" can barely count as evidence in support of his worldview, cynicism aside.

The Amazing World of Gumball Review: The Slip

"Can't you just give it to me?" "Yeah, sure, I'll just give it to you! If rules and regulations mean nothing to you." "So I can have it?"

Despite the past few episodes creating a sort of midseason slump for Season 6, "The Slip," and the two episodes that followed it, are a step in the right direction, each delivering fantastic stories with a refreshing sense of confidence and direction. "The Slip," for my money, was the most successful of the three, taking a silly but pedestrian premise that you might find in any show and taking it to the sorts of extremes that only Gumball is really capable of.

The central premise at play here is that Richard needs to get his package delivered, but he accidentally misses its initial delivery, spiraling into a relentless quest to pry his package from a belligerent delivery man with ruffled feathers (pun unintended). While it could've easily been another forgettable Richard vehicle that made jokes at the character's expense, or otherwise give him some stipulation that causes his identity to misalign (see: "The Diet" or as early as "The Laziest"), "The Slip" was so successful because it was true to who Richard is as a character, and instead of modifying him, it plays out entirely indebted to his strengths and flaws, all without interrupting the pacing of the episode and making him the episode's greatest asset, culminating in a heroic speech dedicated to the lazy (even if they sort of choke in terms of reciprocating enthusiasm).

What It Was Like Seeing Saturday Night Live, Live

Sooo… this isn't something that I usually write about, but I saw Saturday Night Live last Saturday. Seeing the show has always been a dream of mine since I started watching at the age of 12, and it's something that's been incredibly influential in my perception of how comedy works and my future aspirations of becoming a comedy writer.

The first episode of the show I watched was Christina Applegate's 2012 stint as host, and one sketch in particular always stood out to me: "Tech Talk." Taking the form of a show discussing technology, it found several phone critics complaining about the latest Apple product before the host (played by Applegate) brings out three Chinese employees to effectively shame the privileged reviewers for the audacity of their complaints. It's a hilarious and fairly sharp sketch, but it underlined Saturday Night Live's diversity problem rather frustratingly; this is a show that has never had an East Asian castmember, and here were three people effectively performing some variant of yellowface for the sake of the joke.

As an Asian-American person myself (I'm half-Chinese), I've found SNL's struggles with diversity to be particularly frustrating, but when Awkwafina was announced as host— hot off of a fantastic summer in two blockbusters (one being the first movie with an all-Asian cast in 25 years), I knew I had to get out there. This was someone like me (let alone the first host of East Asian descent in 18 years) hosting the show that fostered my love of comedy; I didn't have to look at Aziz Ansari or Kumail Nanjiani as a sort of proxy hero, and that felt good.

The Amazing World of Gumball Review: The Ghouls

"Dude, it's so sad! We need to help them get their scare back." "He's right, we'll do anything. Is there a page we can like or a wristband we can wear or something?"

Sorry this post is a bit late, but I've had a busy and exciting weekend which I will be sure to write about! And also college. So if you're not cool about this coming out late, then... sucks to be you, man, I guess you have to find someone else to read. Good luck with that!

Watching "The Ghouls" helped me realize that modern Gumball episodes are at their most successful when they succeed in two regards: one, they have an interesting structure bound around a strong concept, and two, that they're just downright fun (see: "The Founder," "The Vegging," "The Candidate"). Unfortunately, the past season has been filled with a frustratingly disproportionate amount of episodes that only really succeed in one of those regards (usually the former). "The Ghouls," then, is an episode that is fun... but it's difficult to properly evaluate on the level of how it's put together considering the weakness of a lot of every aspect of it otherwise.

The Amazing World of Gumball Review: The Awareness

"We should just nip it in the bud." "Uh, no, let's not. That phrase is actually incredibly offensive to plants."

Continuing off of Gumball's grand tradition of releasing episodes early in different countries without a US airdate in sight, "The Awareness" found its way inconspicuously on British airwaves yesterday, and through the power of shady Internet wizardry, I'm here to review it.

I think I'll start things off by saying this much: even if I don't think a lot of episodes are great, I can generally see how people could get to those conclusions. Maybe you like "The Intelligence" and the extent of its commitment to the medieval motif, or you enjoyed the macabre hijinks of "The Ad." But "The Awareness" is an episode that eludes me on that front; it's not that it's bad, it's just uniform in every way. It takes a fun premise and just goes along with it as much as necessary without ever breaking into more exciting territory, making for a respectable but unmemorable outing.

First of all, it's worth noting that the episode tackles a very interesting satirical target in the form of Gumball attempting to demonstrate an understanding of plant culture to a skeptical and condescending Leslie, with the two creating an echo chamber of cultural appropriation in an attempt to maintain the upper hand. Theoretically, the premise brings out some of the strongest cynicism that Gumball has to offer, at times bordering on Season 2 levels of deviousness, but none of the episode really gets channeled into a satisfying end, and in my opinion, there's a lot of reasons for that.