
So... this was quite the interesting set of episode in tackling two relatively heavier themes - one, the overarching Princess Marco sub-plot, and the other the constant conflict between Mewnians' perceptions of monsters - but neither episode quite sticks the landing. That's not to say there's nothing to like about either episode, because they expand greatly upon that which the show has been consistently vague in addressing, but neither episode feels as satisfactory as they should because neither truly finds a resolution.
Considering, further, that the common theme the two episodes share (I'd argue) is a sense of hypocrisy, the show's inability to truly redeem upon the pratfalls it examines is a bit frustrating.

And wisely, the episode keeps piling on and adding tension, though at the same time, the progression simultaneously impedes. Marco never makes a definitive decision himself throughout the episode so much as he's lured into admittance. Sure, while the arrival of Miss Heinous who ousts him as a boy comes with his willing acceptance of that fact... she deprives him of the strength of character to announce it himself and for his words to have any impact. Sure, the ruse is up and he's finally comfortable being who he is, stripped of his princess identity... but nothing's learned. He's simply used to push out a simple resolution while letting Miss Heinous shine and carry on the rest of the arc.

With "Starfari," however, the issues are a bit more glaring and the pay-off more feeble. The central premise is that Star teams up with the palace's resident monster expert, Jelly Goodwin (our interdimensional Jane Goodall), though it becomes increasingly obvious that, if not seeing monsters as subordinate as other Mewnians do, she undervalues their capabilities and observes them naively and insultingly. The slow, agonizing reveal of her ignorance against Star's mounting disgust is what makes the episode work at its smoothest, and it's when the episode is being the most incisive - shout-outs to Jelly's phrasing of houses as "naturally-forming geographic locations that almost look like buildings that the monsters were clever enough to use for shelter," and a dam as a "wondrously mysterious fracture."

-"HEY, GOAT! Just because you're invisible doesn't mean I can't hurt you!"
-That's a long brunch.
-The return of "Cameraphoooone" is something I didn't realize I needed in my life until it happened, but rest in peace Smooches, y'all. What a one-note wonder.
-The one throwaway line in "Starfari" that really worked for me was, "Oh my gosh, that is the cutest price tag!" while Star looks at a rack full of cat plushes. I'm sure somebody will go and put up some eloquent complaint about how it undermines Star's intelligence or something, but it's such an unexpected joke, and the delivery is so perfect.

For the last reviews of "Lint Catcher" and "Trial by Squire," CLICK HERE.
It's interesting how Heinous has been set up so clearly to Marco's villain in the light we know now.
ReplyDeleteStarfari's issue was underestimating its audience. Yes this is meant for kids but this was really oversimplified.
That's an interesting angle to take on "Starfari," especially considering that my position put me into a bit of heat. I suppose there is a lot of oversimplification, especially considering that opinion of monsters seems to be a wholly black-and-white issue without much of an ambiguous, gray area, and that lack of a middle ground made the ending less satisfying BY DESIGN. It's intentional, but that doesn't make it particularly enjoyable.
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