Monday, May 20, 2019

Star vs. the Forces of Evil Review: Cleaved (and Season 4)

"The thing about good ideas is they tend to kinda hang around like a bad fart."

I feel as if that quote from the final episode, delivered by Mina Loveberry on her untriumphant departure into the wilderness, summarizes Season 4 of Star vs. the Forces of Evil as a whole. There's sincerity, for the most part, in what Star vs. wants to do, but it can never manage to equal the sum of its parts because, even to the very end, there's a sense that it knows what it wants to be, but was never able to really accomplish that. 

(WARNING: MAJOR SPOILERS AND UNPOPULAR OPINIONS)

Case in point: "Cleaved," as a series finale, does exactly what it wants. It's clear that the past season worked unrelentingly to telegraph everything possible to make the finale work, and it does, filled with emotional crescendos and masterfully-crafted revelations. The first half gives rise to tension and, more than less, makes up the climax by tackling the broader issues in the series' final arc—most importantly, Star and the queens must destroy magic to stop Mina Loveberry in her pro-Mewman,  monster-killing conquest—while the second half is almost a sort of epilogue. 

The heavy-lifting has been accomplished by "Cleaved's" midway point, leaving the series to address the status of Star and Marco's relationship, with the two refusing to part ways at the Realm of Magic as the world around them is destroyed as opposed to going their separate ways. The result of that interaction, following a brief period of hesitant acceptance, is the opening of portals connecting Earth to Mewni, and the closing shot is the two of them, reunited oncemore, standing at the line where their two worlds meet.

It's a touching ending, but the journey to that point is exhausting, and Season 4, as a whole, feels like it almost doesn't earn it. Since Season 3, the series has tried to prove its worth among the heavy-lifters in the world of serialized cartoons—your Adventure Times and Steven Universes, for instance—but Star vs. was never really able to figure out how to step up its game to rise to those ranks. There's just nothing about the series (to me, at least) that really stands out. Season 2 had the show in a great place to really establish its individualistic presence, but the series too often just coasts along with a sense of familiarity by association in place of legitimate charisma—quite frankly, there's nothing that Star vs. does better than any other show you could be watching, with the exception of being, admittedly, an expert at teasing its audience (though the frequent patches of "Will they, won't they" content comes to the show's frequent detriment) and featuring a strong fistful of badass female characters.

Star vs. just never knows where it wants to be tonally. Does the series want to dive deep into a rich, lore-filled narrative? I don't think so, because it places so much priority on the interpersonal lives of its two lead characters, and there's too much superfluous glib for it to feel cohesive. But if it wants to be a lighter, more accessible show... where is that in the complicated mix of the past season's episodes? There's barely any room to breathe, with the exception of a few incredibly-valuable episodes that zooms the camera out of the broad, overwhelming context Season 4 is wading through. To be fair to the show, it doesn't leave anything significant unanswered, but the minutiae is a questionable yet answerless mess.

Those handful of episodes that do work, though, help paint a more clear image of what Season 4 was trying to be. A lot of the Tom-centered episodes, for instance, are incredibly successful because of how they examine his relationship with Star: "Lake House Fever" is a perfect, almost slice-of-life episode that dances with the best of the series, and "Sad Teen Hotline" manages to address the duo's inevitable falling-out with the season's most sharply-focused comedic skills carrying it through what would otherwise be a perfunctory outing. The season also shines when it takes a step back from the insanity of its overarching narrative to build more on the series' cast of characters, with "The Monster and his Queen" painting a cute and perfectly-articulated portrait out of Eclipsa and Globgor's romance, and the penultimate episode of the series, "The Tavern at the End of the Multiverse," taking an almost Regular Show-esque level of abstraction by creating a bar on the literal edge of reality (one wall of the bar literally fades into nonexistence) for the core cast to hash out their problems before the season finale.

Those episodes, too, demonstrate the series' greatest asset to be its characters. Sure, there's a few that fall strangely flat, such as Kelly phasing in and out of complete irrelevance in the grand scheme of the story, but the relocation of the cast to Mewni from last season was the perfect opportunity to pull out the series' best characters. Janna, for instance, provides a nice, grounded sort of weirdness whenever she appears, with her deadpan delivery of the sort of bizarro antics she gets in always landing perfectly. But this season was a major spotlight for two characters: Tom, who proved his weight far exceeding being Star's (ex-)boyfriend with flashes of comedy and inherent likability, and Eclipsa, who allows the show to really illuminate up the gray area over the conceptualization of good and bad.

There's a lot, in that sense, that theoretically should pull Star vs. forward, but there's just a lack of a strong perspective. None of what the series has going for it is able to mask how much it meanders, and however picturesque of an ending "Cleaved" is doesn't excuse the deadening tedium that Season 4 sets into to make that finale work. Star vs. is massively enjoyable at its best, and its sizable fanbase is as solid proof as ever of its capabilities, but as time goes on, I feel it'll slip through the cracks, a symptom of never really having a strong voice of its own: good ideas, rough fart.

"Cleaved" Final Grade: A-.

Star vs. Season 4 Final Grade: B-.

Cumulative Series Grade: B.

To read the Star vs. reviews I've written in the past, CLICK HERE.


If you want to angrily tweet at me for having bad opinions, find me on Twitter @Matt_a_la_mode.


2 comments:

  1. I was wondering what your thoughts would be on season 4! I enjoyed reading your season 3 reviews and similarly I enjoyed reading this review.

    Personally I was a lot more mixed on the finale, and season 4 in general. I strongly agree with your highlights of the season, Tom and Eclipsa did a lot of heavy lifting and their focus episodes were always good. I enjoyed Glossaryck, Globgor and Meteora's roles in the season too, but overall it just feels really incoherent to me to draw a line from seasons 1 through 4, I cannot figure out for the life of me what the show was trying to do and the show does a very poor job of hiding it doesn't know itself.

    Sudden endgame twists like Moon's deal with the Solarian Warriors and Star's decision to remove magic come out of nowhere and feel unearned, Ludo and Yvgeny were mostly tossed aside despite being the main focus monsters from the start of the show and the themes of monster/mewman oppression, Toffee being right all along is only given a cheeky wink from the showrunners, the shipping got dreadful with Star being a horrible girlfriend to Tom and Kelly being a non-character whose ship is sank off-screen, Ponyhead continues to be utterly annoying rather than an enjoyable hate sink, the Magical High Comission are basicaly completely distinct characters from when Lekmet was still dead...

    Just large portions of the show clash with each other and with the shows's season 1 premise, including the rather sudden reintroduction of Earth, especially after the sudden ditching of Earth a season ago, which mostly seems to serve as a way to have a method to cleave Marco and Star apart only to then immediately cleave them together again (A+ for Janna and Jackie though, they were also on fire in season 4). I still for the life of me cannot even figure out what exactly Mewnian culture is supposed to be, since like the MHC it seems to be radically different each season depending on what the showrunners need it to be.

    It feels like such a shame since as you point out the show does certain things so well! I could easily see the show being much more enjoyable if it was just more coherent and had a clear vision from the start, rather than changing directions every few episodes in an attempt to be both a slice of life comedy, a painfully formulaic will they/won't they teenage romance and a serialized drama about prejudice, and all of that through the lens of magical girl princess medieval fantasy.

    It's a lot to tackle and I really think they set their aims too high when trying to be ambitious but falling sort while also setting their aim too low for the breather filler episodes that really frustrate the already cluttered and rushed feeling of season 4.

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    1. Good to hear from you again, Maniafig! It's been a pretty long time since I've seen you around here and it's good to know you're still in the bandwagon.

      I'll admit that I have no idea what the general consensus behind the last season is because I'm sort of scared of any backlash that could come with exhibiting my views more publicly on the show within the fandom, but what a way to kill my appreciation for the show and revoke my endorsement of it. It's not inherently bad, but there's just a lot of strikes against it. Maybe if there were two seasons instead of this one to wrap up the story it could've worked a little better, as none of the side-arcs felt truly developed and there would be more room for playful, inconsequential episodes which have always been my favorite (see: "Mathmagic"). Sure, my opinions of a show like Adventure Time are incredibly convoluted, but at least they embraced the denseness of their narrative by giving it ample time to develop and show its effects across the entire cast; Star vs. basically does the bare minimum with that sort of stuff to make its objectives apparent but not truly felt.

      But thanks for also bringing up all of the other stuff I couldn't really tackle: Kelly is a bad character, like if Penny Fitzgerald was somehow even worse, I love Jenny Slate by Ponyhead is the worst character I've seen in a while in her annoyingly inert presence, and perhaps most disappointingly, Ludo had literally no role here, with the season just rushing an unimpressive happy ending for him, which just feels ignorant of his critical role earlier in the show. In addition, while I really enjoyed being able to go back to Echo Creek because of how much I enjoyed those first two seasons, the episodes set there just sped by too quickly and felt kinda forced, especially "Britta's Tacos," which was just an excuse to do a parade of cameos.

      Ultimately, there's just a ton of build-up and half of it feels entirely superfluous. Even stuff from Season 3, like Marco inhibiting the power of the wand, is vaguely represented but fails to really demonstrate the pivotality of the moment, instead just sort of vaguely suggesting that it played a role. Instead of feeling like it's leaning into subtext, though, it just feels like a lazy way for the writers to theoretically account for everything without any legitimate thought.

      It's always sad when a show ends on a weird note, but at least we have the first few seasons... (No disrespect to the writers of the show, by the way. Writing a show is hard, and they deserve all the credit they can get for helping make a show like Star vs. as beloved and widely-successful as it has been.)

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