Monday, May 6, 2019

The Amazing World of Gumball Review: The Future

"Mom, I missed you." "And I miss hardcore hip-hop."

There's a lot to take in with "The Future." For one thing, it was intended to be Season 6's season opener, though that's panned out to arguably one of the worst outcomes to befall a premiere—being so ambitious that its production cycle pulls it all the way to the final quarter of said season (let alone the final season). Luckily enough, though, the events of "The Future" have, realistically, no impacts on the show's timeline, at least not any super obvious ones at this point. (The existence of "The Spinoffs" as an episode that was intended to follow "The Future," for instance, seems explicitly contradictory.)

For the sake of this write-up, though, let's just say that "The Future" exists at a deliberate point in the season's runtime: this is a packed episode, injecting so many interesting concepts into Gumball's quietly unceasing narrative, some more spelled out than others... but I'll get to all of that in a second. Honestly, trying to figure out how to unpack everything is gonna take a second.

First off, it's been a while since Banana Joe has been something of a headlining act in an episode, but he's deployed as perfectly as you could hope here, especially considering how obligatory his existence in "The Future" is—the premise of his mother going missing means his involvement is built in by default. More than just being the butt of his own jokes, or the unfortunate victim of conflict (the two routes his appearances tend to go by), he's an active supporting character allied with Gumball and Darwin, and although he takes a step back for the episode's final act, he effortlessly sets the path for everything to happen, even if his role here renders Darwin somewhat redundant. (In all honesty, that's nothing new, though.)

Banana Barbara also gets to shine here, too, and aside from being kidnapped by Rob, she gets a nice bit of backstory, establishing her stupidity as the unfortunate result of a mental snap. In the grand scheme of "The Future," it's an entirely inconsequential cutaway, but it's an interesting opportunity to delve deeper into an otherwise unassuming character as this episode continues to do in slowly unfolding all of her strange, cryptic abilities, the greatest revelation coming in the realization that she doesn't just have clairvoyance so much as directly paints the future into existence, albeit without the thoughtfulness that comes from a recognition of that terrifying ability.

That's where Rob steps in. His objective in this episode is somehow even more cryptic that Banana Barbara, even if she puts up a fight for a "Most Cryptic" honorary superlative with her gibberish about how little future is left. Rob's been painted as a blatantly self-appointed antagonist to Gumball, but his role here finds him grappling with something else entirely, wanting Banana Barbara to spell out the future for him with her abilities. Why does he want to know about it? We're not sure; we'll know soon enough. You could argue it involves sabotaging Gumball as usual, but the fact that his final words before being erased from existence in the episode's awesome climactic paint-fight sequence draw attention to the fact that his concerns are beyond Gumball's comprehension speaks to something else entirely.

But even with more serious subject matter to discuss, it's not like "The Future" isn't a fun time. For however much it embraces a sense of darkness—this is one of the series' bleakest entries to date—there's always enough light humor to balance the episode out, especially in chronicling Banana Joe, Gumball, and Darwin's journey to trace Banana Barbara's steps by stooping down to her mental level. Even the scenes involving Rob and Banana Barbara, for however menacing Rob tries to be, are undercut with flourishes of silliness, whether it's Rob's inability to pull off dramatics or Banana Barbara's inability to properly understand them.

Ultimately, though, trying to meaningfully evaluate "The Future" is something of a difficult task. It's an episode that seemingly sets the table for whatever intense finale the writers have up their sleeves. As great as it is, it's conceptually a massive question mark awaiting response, but it does a damn good job of teasing us.

Notes and Quotes:
-The idea of Banana Joe nailing a poster to a glass window is so stupid that it's the funniest gag in this entire episode and the hardest the show's made me laugh in recent history.
-"What kind of slogan is this? Banana Barbara: 20% off 'cuz she's past her best?! That's my mom you're talking about!"
-The idea of Banana Barbara having disappeared before and being rediscovered in a Japanese karaoke music video was inspired.
-"Wait! Look! [points] My finger."
-Although I mentioned it in passing, it continues to be a shame how much Darwin gets pushed aside. He's pretty much just here in "The Future" because that's what's expected, though he doesn't really have any individual contributions aside from the occasional comment and almost getting erased from history by Gumball due to some incompetent brushstrokes. Here's hoping that the finale that "The Future" is building towards justifies his existence more.

FINAL GRADE: A. "The Future" is an episode that is clearly building to something, but the quality of whatever that is will most likely end up determining how much it really succeeds. (I mean, just look at how strangely my review of "The Ex" has aged.) That sounds like something of a complete nonresponse in terms of grading "The Future," but it does a fantastic job at what it wants to do, leaving its audience wanting answers and ending on a cliffhanger that defies simple explanation. All of its contributions to the ever-expanding story that Gumball has been building for the past several seasons, though, are much appreciated, blossoming here into a stellar entry into this season's exceptional catalog.

For the last Gumball review of "The Master," CLICK HERE.

For updates every time I post a new review, follow me on Twitter @Matt_a_la_mode.




8 comments:

  1. Great post. I know this episode and its heavy dependence on the success of the finale makes this difficult to evaluate, but I think you did a great job regardless.

    "The Ex" left me seriously concerned about Rob's utilization in the show from that point forward. To see the show handle him with such little tact after the poignancy surrounding him in "The Disaster" and "The Rerun" was disappointing, and while I think "The Spinoffs" as a whole was absolutely fantastic, Rob's utilization there still felt far too disconnected from everything the character went through (luckily, he's a negligible portion as the episode is not really about him). For the first time in years, it feels like Rob's character has some weight to it and that the events of "The Disaster" and "The Rerun" actually matter. He isn't out destroying Gumball for no reason nor is he going out looking for new enemies for the hell of it; he has a reason. We may not exactly know what this reason is, but we know that it's very important. This isn't about a petty revenge scheme to get even with Gumball; it's much grander than that, and it seems as if he did take something from "The Disaster" and "The Rerun."

    Anyways, with "The Future" alongside other recent hits such as "The Master," "The Posession," "The Buddy," and "The Agent," Season 6 has finally recaptured the momentum it had at the start of its run. The middle portion made me increasingly skeptical about the show's quality, but what we have right now is really exciting and easy some tensions about the finale. The team seems to be moving full speed ahead, and the note they end on will certainly be interesting.

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    1. Thank you, Guy! Rob has been an interesting character for the series to try to integrate, especially after "The Disaster" and "The Rerun"—it's just excruciatingly awkward to work with a character like him after he's so clearly peaked, leading to an obligatory limp outing like "The Ex" which won't succeed in pleasing anyone. I do think "The Future," though, does a good job of giving him a new sense of purpose, turning him from a mere antagonist to a character enduring something else entirely, which makes him interesting all over again.

      I've always felt like Season 6 was pretty strong, especially after the massive dry spell that Season 5 revealed itself to be half-way through. Even if some episodes don't work, there's always one or two that remind you that Gumball is still charging forth at full force, ready to write the next classic episode, and it's been incredibly successful at that. (Even the weakest episodes, in my opinion, often wanted to do something bold, even if they couldn't figure out how.) There's only a few episodes left, but I'm excited for each of them and instead of being sad about the show coming to an end, I'm happy to see it finish off on a high note.

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  2. Great review, as always, I expected nothing less!
    Also, after reading this, I started thinking...
    Perhaps in "The Ex," Banana Joe wasn't choosen randomly to become Rob's new target. Maybe it was more than just Joe being annoying since this episode also focuses on the Banana family.
    Gosh, I'm excited for the finale!

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    1. That's a curious idea, actually! Maybe "The Ex" actually does tie in a bit more to the show...

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  3. hey this is a good review
    you should review all of the void story arc once the show is over
    like a retrospective

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    1. Thanks! But I probably won't end up doing anything like that. There's enough people doing plot synopsis stuff already.

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  4. Wow, interesting. I enjoy reading and reflecting on your in-depth analysis, they do make me reconsider some opinions I first have about the episodes, and think about giving them a second or third watch in order to focus on some minor details that ultimately do affect the course of the plot, and maybe I ignored them due to being a bit too focused on what the writers actually tried to do with the episode as a whole in the first place...usually my grading ends up more on the low side of the scale for most of this season's episodes because of this, I watch it only once, concluding in the end 'meh, wasn't that good', or 'I didn't like it at all' taking into consideration just a few aspects of it, usually the most noticeable ones, disregarding other details...but perhaps it's time for me to change that, hahah.

    Good review! MarvinDarwin spoke up for me, I thought the same about 'The Ex'. Maybe that episode does make sense in the show's plot, and it would actually be pretty interesting to find out how it connects the dots.

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    1. Hey, Isabella, good to see you over here; it's been a while! I definitely think that first impressions matter, but I definitely don't think there's anything wrong with revisiting episodes that you didn't necessarily enjoy the first time. You have to be open to what they're trying to do, and there's definitely episodes that I'd love to be able to reassess, like "The Test" and "The Shippening." Even if you don't really like an episode, too, you should try to look at it through the framework of what it's trying to accomplish, because I know a handful of people who are far too invested in the series to the point of getting angry at it when it does things they don't want it to, and that's a nasty attitude to have about this stuff.

      See you around!

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